The Long Mourning

  • Helpless

    I try to help Dad cope during the last three years of his life, avoiding topics that upset him, letting him talk as long as he wants, holding his hand the way he used to support me. But the inevitable end simply waits outside, until the right time.

  • Crash

    It’s all downhill for Dad. His body rebels while his mind is painfully aware of what’s happening. Yet there are alarming moments when he doesn’t connect the dots. He is shuffled from one facility to the next, and clearly annoyed. My step-mom calls these times, “Énergivore.” We are all drained of energy.

  • Out of Reach

    Dad says, “Nursing homes are where old people go to die.” The care-givers are “nice enough, but the food is not the Ritz.” He wants the doctor to give the “all-clear” so he can go back home to the Farm. I sympathize with his grievances, then redirect him to happier times. I know he will never return home again.

  • Finding His Memories

    We reminisce all afternoon while I record an hour of my favorite Dad stories and family history. I need to preserve the sound of his voice and familiar expressions. Back at the Farm, I relive Dad’s memories in his “Rogue’s Gallery” of framed photos that stretch down the hallway.

  • Distance

    I feel him slipping farther from me, taking a breath between each word. We sort through a pile of unopened letters from dear friends which I read aloud. Dad gives me an unread book about a journalist and his dog. I turn on classical music and watch him sleep for awhile. When he wakes I promise to return tomorrow.

  • Falling

    On the day that Dad dies, I wake up agitated. Without even getting out of bed, I make photos of sunrise as it slips along the ceiling. Both of us are falling. I am falling away from childhood memories; Dad is falling away from life.

Project Statement

The Long Mourning is about dementia, my dad, and how it felt to watch his life deteriorate.

The diptychs evolved after three years of photographing every moment of our visits, then continuing to record my reactions as I wandered the places of shared memories in an effort to decompress before the next day’s visit.

It’s a story told from two angles — the state of my dad during our conversations, with all his frustrations and longing, and how his condition affected me and my desire to understand what he was going through.

The title refers to all those years when I lived without my dad. Starting at age 7 after the divorce, Mom moved the kids to a new country. During my late forties, Dad’s alcohol intake and increased agitation made him impossible to visit for more than 36 hours. In his final years, isolated from society, I tried my best to give him back the moments we had lost.

Details about making the photos

I hadn’t planned to make photos of Dad, until the moment I stepped in the hospital and realized this might be the last time we meet. So I pulled out the iPhone, which turned out to be the perfect camera: unobtrusive, didn’t interfere with our conversations — he felt at ease, and I recorded the real Dad. The iPhone softened this harsh reality, and its smaller frame size actually accentuated the deterioration of his quality of life. Making the diptychs was a process of feeling the connection, not overthinking. I played with repeating shapes and lines, but wanted each pairing to share a conceptual meaning. The project isn’t quite finished yet.